Ben Sakoguchi in Desastres de la Guerra / Words & Baseball at Standard (Oslo), Oslo, Norway, April 24 – May 25, 2024

She Was Paying Attention: Remembering Alexis Smith, by Kate Wolf, in MoMus

Spigot Does LA Art Week, Part I, by Domenick Ammirati, in Spigot

Olivia Hill interview by The Creative Independent

Spotlight artist Alexis Soul-Gray in The WICK

Marie Cosindas in Artforum

Alexis Soul-Gray in Pink Skipping Rope at The Arts Club, London, January 25 – May 12, 2024

Alexis Soul-Gray: Pink Skipping Rope in ART PLUGGED

Soshiro Matsubara in CADAVRE EXQUIS OR THE VOLUPTUOUS DECAY OF THE SHIVERING VEIL at BRAUNSFELDER, November 15, 2023 – January 13, 2024

Marie Cosindas (1923-2017), Color Photographs, by Johanna Drucker, in Johanna Drucker ABCs

Ben Sakoguchi in Et toi, Benoit? at SARA’S, NYC, October 28 – December 2, 2023

Agnes Scherer “Casper a la mode” at Bel Ami, Los Angeles, in Mousse

What to See in N.Y.C. Galleries in October, by Travis Diehl, in The New York Times

Guillaume Dénervaud: as beautiful as post-apocalyptic can be, by Samuel Haitz, in CFA

Alexis Soul-Gray Peers Through The Looking-Glass in Immutable Fragments @ Bel Ami, in AUTRE

Palace Intrigue, by Olamiju Fajemisin, in Artforum

The Ultracontemporaries, by Travis Diehl, in Spike

Royal College of Art Graduates: 5 Painters to Watch, by Annabel Downes, in Ocula

Guillaume Dénervaud interview by Aleï journal

Au Jus at Bel Ami, by Erin F. O’Leary, in Contemporary Art Review Los Angeles

PUBLISHER’S EYE: Juliana Halpert and Parker Ito Bel Ami, by Alex Garner, in Artillery

Ben Sakoguchi oranges • pancartes • cartes postales at Galerie Vallois, Paris, June 9 – July 22, 2023

Lauren Satlowski in PRESENT ’23: Building the Scantland Collection of the Columbus Museum of Art at the Columbus Museum of Art, June 8 – October 8, 2023

Julien Monnerie Primeur at Studiolo, Paris, May 11 – June 4, 2023

Olivia Hill in A Particular Kind of Heaven at Parrasch Heijnen, May 6 – June 3, 2023

Guillaume Dénervaud in Don’t Worry, This Will All Be Over Soon at Galerie Gregor Staiger, Milan, April 13 – May 27, 2023

Eric Kim in the panel discussion DO IT OURSELVES: Alternative Art Spaces in South Korea and Los Angeles, March 30, 2023

Lauren Satlowski, Ben Sakoguchi in Imperfect Paradise at Barbati Gallery, Venice, March 9 – May 6, 2023

Guillaume Dénervaud at Bel Ami in Mousse’s Los Angeles Oomph

Julien Monnerie in Paris Peinture – Ici et Maintenant at MABA, Nogent-sur-Marne,  January 12 – March 26, 2023

Masaya Chiba at Bel Ami, on Contemporary Art Writing Daily

Soshiro Matsubara: Catfishing Art History, by Oscar Gilbert, in CHART

Censorship at The Orange County Museum of Art, by National Coalition Against Censorship, in NCAC

Poetic Justice: How an octogenarian artist defied curatorial bureaucracy, by Julia Friedman, in Quillette

California Biennial Censors Satirical History Painting by Japanese-American Artist, by Monica Fernandez and the editors, in ArtAsiaPacific

Painting Rejected From California Biennial Over Image of Swastika, by Matt Stromberg, in Hyperallergic

Painting “Selected and Rejected” From California Biennial Over Swastika, by Michael Slenske, in LA Mag

¡Selected then Rejected! Ben Sakoguchi’s Comparative Religions 101

Shoots and Ladders: Chadwick Rantanen at Bel Ami, by Travis Diehl, in Art in America

Olivia Hill at Bel Ami, by Neyat Yohannes, in Carla

Gallery Rounds: Olivia Hill, by Emma Christ , in Artillery

Soshiro Matsubara in Another Surrealism at Den Frie Centre of Contemporary Art, August 26 – October 22, 2022

Olivia Erlanger Appliance at Kunstverein Gartenhaus, September 9 – October 29, 2022

Why the Orange County Museum of Art is resurrecting its longtime California Biennial, by Deborah Vankin, in the Los Angeles Times

Olivia Hill’s Stage-Set Landscapes, by Jan Tumlir, in Frieze

Milano Chow in Wonder Women Los Angeles at Jeffrey Deitch, September 3 – October 22, 2022

Soshiro Matsubara in What is it Like to be a Bat? at ADZ, July 21 – August 20, 2022

Lauren Satlowski in Vaster than Empires at Friends Indeed, July 14 – August 18, 2022

Miriam Laura Leonardi Exhibition with View at Jenny’s, June 10 – July 23, 2022

Surreal Things, by Travis Diehl, in Art in America

Milano Chow in XX Perfect Souls at Bad Water, April 1 – May 6, 2022

The 10 Best Booths at Frieze Los Angeles 2022, by Catherine Wagley, on Artsy

Ben Sakoguchi’s art from America’s concentration camps, by Jonathan Griffin, in the Financial Times

Milano Chow Prima Facie at the Aldrich Contemporary Art Museum, January 16 – May 15, 2022

Joel Dean in Entrainment at Someday, December 9, 2021 – January 29, 2022

Olivia Erlanger, Julien Monnerie in Homesick at Shivers Only, November 19 – 29, 2021

Miriam Laura Leonardi Business in the front, Party in the back at Galerie Maria Berheim Zurich, November 5, 2021 – January 8, 2022

Guillaume Maraud in I GOT UP at gb agency, October 19 – Novembre 13, 2021

Emblazoned World in Interconnected and Ever-Expanding, Los Angeles Art is Piquing our Galaxy Brain, in Cultured Magazine

Emblazoned World in Your Concise Los Angeles Art Guide for October 2021, Matt Stromberg and Elisa Wouk Almino for Hyperallergic

Milano Chow in What in the actual fuck? I can’t believe I said that! I’m going home. at u’s at Badlands Art Department, Alberta, October 10 – November 7, 2021

Emblazoned World at Bel Ami, Ezrha Jean Black for Artillery

Emblazoned World at Bel Ami, Catherine Wagley for Contemporary Art Review Los Angeles

Guillaume Maraud: Values and re-valuing in contemporary art

Lauren Satlowski in My Secret Garden at Asia Art Center, Taipei, September 18 – November 21, 2021

Lauren Satlowski in PAGE (NYC) at Petzel, September 8 – October 30, 2021

Miriam Laura Leonardi You Received a New Memory at Brasserie Atlas, Brussels, August 20 – September 19, 2021

9 Standout Artists at L.A.’s Felix Art Fair, by Catherine Wagley, on Artsy

Nanami Hori in Natsuyasumi: In the Beginning Was Love at Nonaka-Hill, July 28 – September 4, 2021

Gallery Weekend Los Angeles, July 28 – August 1, 2021

Guillaume Maraud, entretien dans l’Arlésienne n.12, été 2021

Ben Sakoguchi at Bel Ami, Jennifer S. Li for ArtAsiaPacific

Scott Benzel in All Tomorrow’s Parties at Domicile, July 10 – September 1, 2021

Ben Sakoguchi in footnotes and headlines at Andrew Kreps, July 8 – August 13, 2021

Milano Chow in The Interior at Venus Over Manhattan, July 1 – July 31, 2021

Ben Sakoguchi in Landscape at Bodega, June 30 – July 31, 2021

Artist Talk: Milano Chow, on Art + Practice

Nanami Hori at Bel Ami, reviewed on 1-800-LA-ART-THING

Ben Sakoguchi’s Bitter Muse: Anti-Asian Cruelty, by Patrick J. Reed, in ArtReview

Soshiro Matsubara at MACRO, Artforum Critics’ Pick, by Agnieszka Gratza

Olivia Erlanger in Psychosomatic at Various Small Fires, June 4 – July 17, 2021

Complete Bel Ami archives on Contemporary Art Library

Olivia Erlanger in Liquid Life at Kistefos Museum, May 23 – October 17, 2021

Ben Sakoguchi at Bel Ami, reviewed on 1-800-LA-ART-THING

One Work: Ben Sakoguchi’s “Chinatown”, by Harley Wong, in Art in America

Ben Sakoguchi’s ‘Chinatown’ Charts a History of Anti-Asian Hate, by Travis Diehl, in Frieze

Ben Sakoguchi at Bel Ami, Caroline Ellen Liou for Hyperallergic

Celebrate artists of color: ‘Shattered Glass’ at Jeffrey Deitch gallery, ‘Chinatown’ at Bel Ami gallery

Lauren Satlowski at Bel Ami, Juliana Halpert for Artforum

Clémentine Adou & Julien Monnerie AUTO at DOC, March 20 – April 4, 2021

Hanna Hur in The Inconstant World at ICA LA, February 27 – May 30, 2021

Milano Chow in Striving After Wind at Chapter NY, February 20 – March 20, 2021

Milano Chow featured in Vitamin D3: Today’s Best in Contemporary Drawing published by Phaidon

Milano Chow in Therein / Thereof / Thereto at STANDARD (OSLO), February 13 – March 13, 2021

Soshiro Matsubara Caresses at MACRO, February 3 – June 13, 2021

Soshiro Matsubara at Interconti Wien, January 28 – February 7, 2021

Lauren Satlowski at Bel Ami, Eli Diner for Cultured Magazine

Lauren Satlowski at Bel Ami, Lindsay Preston Zappas for KCRW

Next Big Things: Milano Chow, by Lucy Rees, in Galerie Magazine

Lauren Satlowski at Bel Ami, Jennifer Remenchik for Hyperallergic

The Best Places in Los Angeles to Discover Up-and-Coming Artists Right Now on Galerie Magazine

Inside Winterfest: The making of a new holiday tradition at Aspen Art Museum on the Aspen Times

Diane Severin Nguyen and Hannah Turpin in conversation online, Carnegie Museum of Art, December 16, 2020

Milano Chow, Olivia Erlanger, Soshiro Matsubara in Winterfest: An Exhibition of Arts and Crafts, at the Aspen Art Museum, December 18, 2020 – February 21, 2021

Milano Chow Pulls Back the Curtain of Society’s Window Dressing, Peeking into Strangers’ Inner Lives, by Annabel Osberg, on AEQAI

Milano Chow at Bel Ami, Grant Tyler for Caesura Magazine

Milano Chow at Bel Ami, Matt Stromberg for Contemporary Art Review Los Angeles

Milano Chow at Bel Ami, Lindsay Preston Zappas for KCRW

Olivia Erlanger in Haunted Haus at Swiss Institute, October 21 – December 20, 2020

Culture is War, Scott Benzel and Keith J. Varadi in conversation, X-TRA Online

Mermaid Tails, Haunted Snow Globes, and the Myth of the American Dream: The Distinct Millennial-Defining Art of Olivia Erlanger, by Taylor Dafoe, on artnet news

Miriam Laura Leonardi in No Dandy, No Fun at Kunsthalle Bern, October 17 – December 6, 2020

Olivia Erlanger Home is a Body at Soft Opening, October 1 – November 7, 2020

Scott Benzel: Mindless Pleasures, by Yxta Maya Murray, in Brooklyn Rail

Guillaume Maraud in As Time Went On, a Rumour Started at Gianni Manhattan, September 5 – October 31, 2020

Scott Benzel Gambles with the Avant-Garde, by Jan Tumlir, in Frieze

Scott Benzel on Media, Artists 4 Democracy talk, October 6, 2020

Miriam Laura Leonardi & Gabriele Garavaglia, Furlough screening at Luma Westbau, September 11, 2020

Olivia Erlanger, The Modern Shower: from Prison Control to Suburban Purity, in Pin-Up Magazine

Guillaume Maraud in Not Working: Artistic production and matters of class at Kunstverein München, September 12 – November 22, 2020

Hanna Hur Fortune Baby God’s Eyes at Feuilleton reviewed on Contemporary Art Writing Daily

Hanna Hur Fortune Baby God’s Eyes at Feuilleton, August 5 – August 19, 2020

Diane Severin Nguyen in Materia Medica at François Ghebaly, July 22 – September 4, 2020

Soshiro Matsubara interview in PW Magazine

Julien Monnerie in Paris Peinture at Galerie Jean Brolly, July 18 – August 29, 2020

Olivia Erlanger in When You Waked Up the Buffalo at Nicodim, July 18 – August 22, 2020

Julien Monnerie, Louise Sartor in Your Friends and Neighbors at High Art, June 27 – August 1, 2020

Soshiro Matsubara True Romance at Croy Nielsen, May 27 – July 4, 2020

Julien Monnerie in Cool Invitations 7 at XYZ Collective, June 14 – July 5, 2020

Guillaume Maraud: “Sauver l’art”. Les rhétoriques de l’art contemporain au service de l’accélération conservatrice

80 LA Galleries band together in an effort to survive the Pandemic

Hanna Hur profile and interview on Building Block’s With Age

Dream Bubble: Olivia Erlanger, by Laura Brown, in Mousse Magazine 71

Teach Me How to Dougie: D’ette Nogle, by Attilia Fattori Franchini, in Mousse Magazine 71

Soshiro Matsubara, Julien Monnerie, Louise Sartor in The Sentimental Organization of the World, at Crèvecœur, March 7 – April 18, 2020