‘A Vista’ Cracks Through Art World Illusions, by Claudia Ross, in Frieze
Pick of the Week: Covey Gong and Monique Mouton at Bel Ami, by Estelle Araya, in Artillery
Guillaume Dénervaud in ArtCrush Auction 2024, Aspen Art Museum, Aspen, Colorado
The ‘Illusion of Realism’ Haunts Milano Chow’s Intricate Drawings, by Katie White, in artnet
‘Crumbling the Antiseptic Beauty’ Shatters the Sterile Veneer, by Dylan Huw, in Frieze
Lex Brown at Bel Ami, by Isabella Miller, in CARLA
Claire Lehmann: The Understudy, by Cat Kron, in ArtReview
Highlights From Miart 2024, Milan’s Modern And Contemporary Art Fair, by Joanne Shurvell, in Forbes
Guillaume Dénervaud in Toward the Celestial: ICA Miami’s Collection at 10 Years at ICA Miami, Miami, May 3 – November 1, 2024
Olivia Hill in Harper’s Magazine
Claire Lehmann: The Understudy, in Contemporary Art Daily
Miart 2024, the 10 best booths at Milan’s contemporary art fair, by Redazione, in Finest sull’ Arte
Inside the secret poker games opening doors in L.A.’s art scene, by Marielle Rudi, in LA Times
Guillaum Dénervaud in Orphaned Wells at Galerie Gregor Staiger, Zurich, Switzerland, March 8 – May 18, 2024
Ben Sakoguchi in Desastres de la Guerra / Words & Baseball at Standard (Oslo), Oslo, Norway, April 24 – May 25, 2024
She Was Paying Attention: Remembering Alexis Smith, by Kate Wolf, in MoMus
Spigot Does LA Art Week, Part I, by Domenick Ammirati, in Spigot
Olivia Hill interview by The Creative Independent
Spotlight artist Alexis Soul-Gray in The WICK
Marie Cosindas in Artforum
Alexis Soul-Gray in Pink Skipping Rope at The Arts Club, London, January 25 – May 12, 2024
Alexis Soul-Gray: Pink Skipping Rope in ART PLUGGED
Soshiro Matsubara in CADAVRE EXQUIS OR THE VOLUPTUOUS DECAY OF THE SHIVERING VEIL at BRAUNSFELDER, November 15, 2023 – January 13, 2024
Marie Cosindas (1923-2017), Color Photographs, by Johanna Drucker, in Johanna Drucker ABCs
Ben Sakoguchi in Et toi, Benoit? at SARA’S, NYC, October 28 – December 2, 2023
Agnes Scherer “Casper a la mode” at Bel Ami, Los Angeles, in Mousse
What to See in N.Y.C. Galleries in October, by Travis Diehl, in The New York Times
Guillaume Dénervaud: as beautiful as post-apocalyptic can be, by Samuel Haitz, in CFA
Alexis Soul-Gray Peers Through The Looking-Glass in Immutable Fragments @ Bel Ami, in AUTRE
Palace Intrigue, by Olamiju Fajemisin, in Artforum
The Ultracontemporaries, by Travis Diehl, in Spike
Royal College of Art Graduates: 5 Painters to Watch, by Annabel Downes, in Ocula
Guillaume Dénervaud interview by Aleï journal
Au Jus at Bel Ami, by Erin F. O’Leary, in Contemporary Art Review Los Angeles
PUBLISHER’S EYE: Juliana Halpert and Parker Ito Bel Ami, by Alex Garner, in Artillery
Ben Sakoguchi oranges • pancartes • cartes postales at Galerie Vallois, Paris, June 9 – July 22, 2023
Lauren Satlowski in PRESENT ’23: Building the Scantland Collection of the Columbus Museum of Art at the Columbus Museum of Art, June 8 – October 8, 2023
Julien Monnerie Primeur at Studiolo, Paris, May 11 – June 4, 2023
Olivia Hill in A Particular Kind of Heaven at Parrasch Heijnen, May 6 – June 3, 2023
Guillaume Dénervaud in Don’t Worry, This Will All Be Over Soon at Galerie Gregor Staiger, Milan, April 13 – May 27, 2023
Eric Kim in the panel discussion DO IT OURSELVES: Alternative Art Spaces in South Korea and Los Angeles, March 30, 2023
Lauren Satlowski, Ben Sakoguchi in Imperfect Paradise at Barbati Gallery, Venice, March 9 – May 6, 2023
Guillaume Dénervaud at Bel Ami in Mousse’s Los Angeles Oomph
Julien Monnerie in Paris Peinture – Ici et Maintenant at MABA, Nogent-sur-Marne, January 12 – March 26, 2023
Masaya Chiba at Bel Ami, on Contemporary Art Writing Daily
Soshiro Matsubara: Catfishing Art History, by Oscar Gilbert, in CHART
Censorship at The Orange County Museum of Art, by National Coalition Against Censorship, in NCAC
Poetic Justice: How an octogenarian artist defied curatorial bureaucracy, by Julia Friedman, in Quillette
California Biennial Censors Satirical History Painting by Japanese-American Artist, by Monica Fernandez and the editors, in ArtAsiaPacific
Painting Rejected From California Biennial Over Image of Swastika, by Matt Stromberg, in Hyperallergic
Painting “Selected and Rejected” From California Biennial Over Swastika, by Michael Slenske, in LA Mag
¡Selected then Rejected! Ben Sakoguchi’s Comparative Religions 101
Shoots and Ladders: Chadwick Rantanen at Bel Ami, by Travis Diehl, in Art in America
Olivia Hill at Bel Ami, by Neyat Yohannes, in Carla
Gallery Rounds: Olivia Hill, by Emma Christ , in Artillery
Soshiro Matsubara in Another Surrealism at Den Frie Centre of Contemporary Art, August 26 – October 22, 2022
Olivia Erlanger Appliance at Kunstverein Gartenhaus, September 9 – October 29, 2022
Why the Orange County Museum of Art is resurrecting its longtime California Biennial, by Deborah Vankin, in the Los Angeles Times
Olivia Hill’s Stage-Set Landscapes, by Jan Tumlir, in Frieze
Milano Chow in Wonder Women Los Angeles at Jeffrey Deitch, September 3 – October 22, 2022
Soshiro Matsubara in What is it Like to be a Bat? at ADZ, July 21 – August 20, 2022
Lauren Satlowski in Vaster than Empires at Friends Indeed, July 14 – August 18, 2022
Miriam Laura Leonardi Exhibition with View at Jenny’s, June 10 – July 23, 2022
Surreal Things, by Travis Diehl, in Art in America
Milano Chow in XX Perfect Souls at Bad Water, April 1 – May 6, 2022
The 10 Best Booths at Frieze Los Angeles 2022, by Catherine Wagley, on Artsy
Ben Sakoguchi’s art from America’s concentration camps, by Jonathan Griffin, in the Financial Times
Milano Chow Prima Facie at the Aldrich Contemporary Art Museum, January 16 – May 15, 2022
Joel Dean in Entrainment at Someday, December 9, 2021 – January 29, 2022
Olivia Erlanger, Julien Monnerie in Homesick at Shivers Only, November 19 – 29, 2021
Miriam Laura Leonardi Business in the front, Party in the back at Galerie Maria Berheim Zurich, November 5, 2021 – January 8, 2022
Guillaume Maraud in I GOT UP at gb agency, October 19 – Novembre 13, 2021
Emblazoned World in Interconnected and Ever-Expanding, Los Angeles Art is Piquing our Galaxy Brain, in Cultured Magazine
Emblazoned World in Your Concise Los Angeles Art Guide for October 2021, Matt Stromberg and
Milano Chow in What in the actual fuck? I can’t believe I said that! I’m going home. at u’s at Badlands Art Department, Alberta, October 10 – November 7, 2021
Emblazoned World at Bel Ami, Ezrha Jean Black for Artillery
Emblazoned World at Bel Ami, Catherine Wagley for Contemporary Art Review Los Angeles
Guillaume Maraud: Values and re-valuing in contemporary art
Lauren Satlowski in My Secret Garden at Asia Art Center, Taipei, September 18 – November 21, 2021
Lauren Satlowski in PAGE (NYC) at Petzel, September 8 – October 30, 2021
Miriam Laura Leonardi You Received a New Memory at Brasserie Atlas, Brussels, August 20 – September 19, 2021
9 Standout Artists at L.A.’s Felix Art Fair, by Catherine Wagley, on Artsy
Nanami Hori in Natsuyasumi: In the Beginning Was Love at Nonaka-Hill, July 28 – September 4, 2021
Gallery Weekend Los Angeles, July 28 – August 1, 2021
Guillaume Maraud, entretien dans l’Arlésienne n.12, été 2021
Ben Sakoguchi at Bel Ami, Jennifer S. Li for ArtAsiaPacific
Scott Benzel in All Tomorrow’s Parties at Domicile, July 10 – September 1, 2021
Ben Sakoguchi in footnotes and headlines at Andrew Kreps, July 8 – August 13, 2021
Milano Chow in The Interior at Venus Over Manhattan, July 1 – July 31, 2021
Ben Sakoguchi in Landscape at Bodega, June 30 – July 31, 2021
Artist Talk: Milano Chow, on Art + Practice
Nanami Hori at Bel Ami, reviewed on 1-800-LA-ART-THING
Ben Sakoguchi’s Bitter Muse: Anti-Asian Cruelty, by Patrick J. Reed, in ArtReview
Soshiro Matsubara at MACRO, Artforum Critics’ Pick, by Agnieszka Gratza
Olivia Erlanger in Psychosomatic at Various Small Fires, June 4 – July 17, 2021
Complete Bel Ami archives on Contemporary Art Library
Olivia Erlanger in Liquid Life at Kistefos Museum, May 23 – October 17, 2021
Ben Sakoguchi at Bel Ami, reviewed on 1-800-LA-ART-THING
One Work: Ben Sakoguchi’s “Chinatown”, by Harley Wong, in Art in America
Ben Sakoguchi’s ‘Chinatown’ Charts a History of Anti-Asian Hate, by Travis Diehl, in Frieze
Ben Sakoguchi at Bel Ami, Caroline Ellen Liou for Hyperallergic
Celebrate artists of color: ‘Shattered Glass’ at Jeffrey Deitch gallery, ‘Chinatown’ at Bel Ami gallery
Lauren Satlowski at Bel Ami, Juliana Halpert for Artforum
Clémentine Adou & Julien Monnerie AUTO at DOC, March 20 – April 4, 2021
Hanna Hur in The Inconstant World at ICA LA, February 27 – May 30, 2021
Milano Chow in Striving After Wind at Chapter NY, February 20 – March 20, 2021
Milano Chow featured in Vitamin D3: Today’s Best in Contemporary Drawing published by Phaidon
Milano Chow in Therein / Thereof / Thereto at STANDARD (OSLO), February 13 – March 13, 2021
Soshiro Matsubara Caresses at MACRO, February 3 – June 13, 2021
Soshiro Matsubara at Interconti Wien, January 28 – February 7, 2021
Lauren Satlowski at Bel Ami, Eli Diner for Cultured Magazine
Lauren Satlowski at Bel Ami, Lindsay Preston Zappas for KCRW
Next Big Things: Milano Chow, by Lucy Rees, in Galerie Magazine
Lauren Satlowski at Bel Ami, Jennifer Remenchik for Hyperallergic
The Best Places in Los Angeles to Discover Up-and-Coming Artists Right Now on Galerie Magazine
Inside Winterfest: The making of a new holiday tradition at Aspen Art Museum on the Aspen Times
Diane Severin Nguyen and Hannah Turpin in conversation online, Carnegie Museum of Art, December 16, 2020
Milano Chow, Olivia Erlanger, Soshiro Matsubara in Winterfest: An Exhibition of Arts and Crafts, at the Aspen Art Museum, December 18, 2020 – February 21, 2021
Milano Chow Pulls Back the Curtain of Society’s Window Dressing, Peeking into Strangers’ Inner Lives, by Annabel Osberg, on AEQAI
Milano Chow at Bel Ami, Grant Tyler for Caesura Magazine
Milano Chow at Bel Ami, Matt Stromberg for Contemporary Art Review Los Angeles
Milano Chow at Bel Ami, Lindsay Preston Zappas for KCRW
Olivia Erlanger in Haunted Haus at Swiss Institute, October 21 – December 20, 2020
Culture is War, Scott Benzel and Keith J. Varadi in conversation, X-TRA Online
Mermaid Tails, Haunted Snow Globes, and the Myth of the American Dream: The Distinct Millennial-Defining Art of Olivia Erlanger, by Taylor Dafoe, on artnet news
Miriam Laura Leonardi in No Dandy, No Fun at Kunsthalle Bern, October 17 – December 6, 2020
Olivia Erlanger Home is a Body at Soft Opening, October 1 – November 7, 2020
Scott Benzel: Mindless Pleasures, by Yxta Maya Murray, in Brooklyn Rail
Guillaume Maraud in As Time Went On, a Rumour Started at Gianni Manhattan, September 5 – October 31, 2020
Scott Benzel Gambles with the Avant-Garde, by Jan Tumlir, in Frieze
Scott Benzel on Media, Artists 4 Democracy talk, October 6, 2020
Miriam Laura Leonardi & Gabriele Garavaglia, Furlough screening at Luma Westbau, September 11, 2020
Olivia Erlanger, The Modern Shower: from Prison Control to Suburban Purity, in Pin-Up Magazine
Guillaume Maraud in Not Working: Artistic production and matters of class at Kunstverein München, September 12 – November 22, 2020
Hanna Hur Fortune Baby God’s Eyes at Feuilleton reviewed on Contemporary Art Writing Daily
Hanna Hur Fortune Baby God’s Eyes at Feuilleton, August 5 – August 19, 2020
Diane Severin Nguyen in Materia Medica at François Ghebaly, July 22 – September 4, 2020
Soshiro Matsubara interview in PW Magazine
Julien Monnerie in Paris Peinture at Galerie Jean Brolly, July 18 – August 29, 2020
Olivia Erlanger in When You Waked Up the Buffalo at Nicodim, July 18 – August 22, 2020
Julien Monnerie, Louise Sartor in Your Friends and Neighbors at High Art, June 27 – August 1, 2020
Soshiro Matsubara True Romance at Croy Nielsen, May 27 – July 4, 2020
Julien Monnerie in Cool Invitations 7 at XYZ Collective, June 14 – July 5, 2020
Guillaume Maraud: “Sauver l’art”. Les rhétoriques de l’art contemporain au service de l’accélération conservatrice
80 LA Galleries band together in an effort to survive the Pandemic
Hanna Hur profile and interview on Building Block’s With Age
Dream Bubble: Olivia Erlanger, by Laura Brown, in Mousse Magazine 71
Teach Me How to Dougie: D’ette Nogle, by Attilia Fattori Franchini, in Mousse Magazine 71
Soshiro Matsubara, Julien Monnerie, Louise Sartor in The Sentimental Organization of the World, at Crèvecœur, March 7 – April 18, 2020