London Invitational

Guillaume Dénervaud (b. 1987, Fribourg, Switzerland) lives and works in Paris. He studied at the École des arts appliqués, Geneva, and at HEAD, Geneva. In 2026, Dénervaud will be the subject of a major solo exhibition at Kunsthalle Friart Fribourg. Additional solo presentations include Antenna Space, Hong Kong (2026); PAGE (NYC) and Dracula’s Revenge, New York (2026); Galerie Gregor Staiger, Milan (2025); Antenna Space, Shanghai (2024); Galerie Gregor Staiger, Zurich (2024); Atrata, Angles-sur-l’Anglin & Paris (2024); Swiss Institute, New York (2023); Bel Ami, Los Angeles (2023); Centre d’Édition Contemporary (CEC), Geneva (2021); Balice Hertling, Paris (2019); Alienze, Lausanne (2019); and Hard Hat, Geneva (2018). Recent group exhibitions include The Abstract Future, Jeffrey Deitch, Los Angeles (2025); Toward the Celestial: ICA Miami’s Collection at 10 Years, ICA Miami (2024); Crumbling The Antiseptic Beauty, Fondation Pernod Ricard, Paris (curated by David Douard, 2024); Don’t Worry, This Will All Be Over Soon, Galerie Gregor Staiger, Milan (2023); La main-pleur, Kunsthalle Friart Fribourg (2022); Des corps, des écritures, Musée d’Art Moderne de Paris (2022); Aquarium, Maison Populaire, Montreuil (2022); Formes du transfert, Magasins Généraux, Paris (2021); Emblazoned World, Bel Ami, Los Angeles (2021); Le sain ennui, BQ Gallery, Berlin (2021); Your Friends and Neighbors, High Art, Paris (2020); and L’Oranger, LiveInYourHead, Geneva (2017). Dénervaud participated in Swiss Institute’s residency program, New York (2021). His work is in the collections of the Institute of Contemporary Art, Miami; MAMCO Genève; Musée d’Art Moderne de Paris; and X Museum, Beijing. He is a 2023 recipient of a Swiss Art Award.

Minami Kobayashi (b. 1989 Nagoya, Japan) lives and works in London. She studied at the Tokyo University of the Arts and School of the Art Institute of Chicago. Selected solo exhibitions include Tanya Leighton, Berlin (2026); Bel Ami, Los Angeles (2025); Frestonian Gallery, London (2024 & 2023); Goldfinch Gallery, Chicago (2022 & 2019); Kate’s Little Angel, Los Angeles (2019); Baby Blue Gallery, Chicago (2017); and Gallery TANNE, Tokyo (2015). Recent group shows include Friends, Lovers, and Me: Recent Acquisitions, Rubell Museum, Washington, DC (2026); We Almost Forgot, Long Story Short, New York (2024); Panta Rhei, Alice Amati, London (2024); Loose Threads, Bombon Project Gallery, Barcelona (2024); Friends and Lovers, Shulamit Nazarian Gallery, Los Angeles (2023); Et Al. Gallery, San Francisco (2023); Trio show, Dinner Party Gallery, London (2022); Lovely, OIL Gallery by Bijyutsu Techo, Tokyo (2022); Beyond Each Other, Florence Trust, London (2021); Tender the Bone, Goldfinch Gallery, Chicago (2021); Glimpse, lvl3 Gallery, Chicago (2021); CAVE CANEM, Eve Leibe Gallery, London (2021); New-laid eggs vol.3, GALLERY MoMo Ryogoku, Tokyo (2020); Birds shun such trees, Et al. Gallery, San Francisco (2020); A Peripheral Reverie, Penske Project, Montecito (2020); Anecdote, Stems Gallery, Brussels (2020); and Place out of Time, Setouchi Triennial 2019, Kagawa (2019).

Soshiro Matsubara (b. 1980, Hokkaido, Japan) lives and works in Vienna. He studied at the Academy of Fine Arts, Vienna (2014 – 2016), and received a BFA from Tama Art University, Tokyo (2005). Selected solo and two-person exhibitions include Dortmunder Kunstverein, Dortmund (2025); Galerie Fons Welters, Amsterdam (2025); Croy Nielsen, Vienna (2024); Phileas, Vienna (2024); Aspen Art Museum (with Ulala Imai, 2023); Croy Nielsen, Berlin (with Joanna Woś, 2023); Martina Simeti, Milan (2022); Union Pacific, London (2022); Bel Ami, Los Angeles (2022); Museum of Contemporary Art (MACRO), Rome (2021); XYZ collective, Tokyo (with Naoki Sutter-Shudo, 2019); and Schiefe Zähne, Berlin (2018). Matsubara’s work has been featured in numerous group exhibitions, including This Is Still Not a Pipe: The Afterlife of Magritte, Gagosian, London (2026); Statics of an Egg, David Zwirner, New York (2026); Everything looks dark now, Bel Ami, Los Angeles (2026); The Impermanent: Four Takes on the Collection, Museum of Modern Art, Warsaw (2025); Unknown Familiars: The Vienna Insurance Group Collections, Leopold Museum, Vienna (2024); A Reflection on the Sublime, Hiroshima City Museum of Contemporary Art (curated by Kazuna Taguchi, 2024); Presque Partout, Fonds régional d’art contemporain (FRAC) de Lorraine (2024); Bruno Pélassy and The Order of The Starfish, Haus am Waldsee, Berlin (2023); Cupid’s Bow, Bel Ami, Los Angeles (curated by Milano Chow, 2023); Another Surrealism, Den Frie, Copenhagen, traveled to Museum Sønderjylland, Tønder (2022); Sweet Home, Rachel Uffner Gallery, New York (2021); Winterfest, Aspen Art Museum (2020); The Sentimental Organization of the World, Crévecœur, Paris (2020); Münster Sculpture Project in Sagamihara, Kanuma Park, Kanagawa (2018); Apropos l’Hiver, Bel Ami, Los Angeles (2017); By the lakeside, Shane Campbell Gallery, Chicago (organized by Yui Yaegashi, 2017); SAYONARA Jupiter, 356mission, Los Angeles (curated by MISAKO & ROSEN and XYZcollective, 2017); and The Way of PAINTING, Tokyo Opera City Art Gallery, Tokyo (2014). Matsubara’s work is in the collections of the Christen Sveaas’ Art Foundation, Jevnaker; Collezione De Iorio, Trento/Verona; Fonds régional d’art contemporain (FRAC) de Lorraine; the Lewben Art Foundation, Vilnius; and the Museum of Modern Art, Warsaw.

Isabelle Frances McGuire (b. 1994, Austin, TX) lives and works in Chicago. They received their BFA from the School of the Art Institute of Chicago. Solo and two person presentations include Bel Ami, Los Angeles (2026); The Renaissance Society, Chicago (2024); King’s Leap, New York (2023); What Pipeline, Detroit (2023); Scherben, Berlin (2022); Mickey, Chicago (2021); Good Weather at Et al., San Francisco (2020); From The Desk of Lucy Bull, Los Angeles (2020); and Prairie, Chicago (2018). A large-scale installation by McGuire was presented in the Whitney Biennial 2026. Other recent group shows include Ornament & Information, Gertie, Chicago (2026); Claire’s Camera, N/A, Seoul (presented by King’s Leap, New York, 2026); Phone Sleeper, Drei, Cologne (2025); My Story Gallery, High Art & Sister, Seoul (2024); Artists Space, New York (2024); Multi-User Dungeon (MUD), Petzel Gallery, New York (2024); Descending the Staircase, Museum of Contemporary Art Chicago (2023); Tell Me What You Want, Bel Ami, Los Angeles (2023); M. LeBlanc, Chicago (2023); In Lieu, Los Angeles (2020); and At the End of the Game You Will Be Forgotten, Alyssa Davis Gallery, New York (2018). McGuire received an Artadia Award in 2025.

Dan Mitchell (b. 1966, London, UK) lives and works in London. Mitchell is a founding member of the Artist’s Self-Publishers’ Fair (ASP), and the publisher of Hard Mag: Is stronger than reason, Death Lolz Presents…, and Dirty Books. Recent exhibitions include Bel Ami, Los Angeles (with Richard Sides, 2026); Seventeen Gallery, London (2026); City Galerie, Vienna (2026); Quality Of Life Gallery, Glasgow (2025); Bel Ami, Los Angeles (2024); Jenny’s Gallery, New York, in collaboration with Provence, Zürich (2023); Galerina, London (2023); Luma Westbau, Zürich (2021); Centre d’Art Contemporain – La synagogue de Delme (2021); Wembley Library at the Brent Civic Centre, Wembley (2020); Temnikova & Kasela, Tallinn (2019); Luma Westbau, Zürich (2018); Oracle, Berlin (2016); and Celine Gallery, Glasgow (2016).

Ian Miyamura (b. 1991, Kailua, HI) lives and works in Brooklyn, New York. He holds an MFA from the Maryland Institute College of Art (2021) and a BFA from the School of the Art Institute of Chicago (2013). Solo exhibitions include Bel Ami, Los Angeles (2026); Bureau, New York (2025); François Ghebaly, Los Angeles (2024); Bureau at Paris Internationale (2023); and 4th Ward Project Space, Chicago (2022). Miyamura’s work has been featured in numerous group shows, such as The World Is The Work, The Drawing Center, New York (2026); Total Matters, The Meeting, New York (2026); Greater New York, MoMA PS1, New York (2026); Everything looks dark now, Bel Ami, Los Angeles (2026); Fifteen-Year Anniversary Exhibition, Bureau, New York (2025); Who’s Afraid of Red, Yellow and Blue, Adams and Ollman, Portland, OR (2025); Invisible Architecture, Ralph Arnold Gallery, Chicago (2023); My Condolences, M+B Gallery, Los Angeles (2023); and A Tournament of Lies, The Wassiac Project, New York (2022).

Lauren Satlowski (b. 1984, Detroit, MI) lives and works in Los Angeles. Recent solo exhibitions include Timothy Taylor, New York (2025); Micki Meng, Paris (2024); Office Baroque, Antwerp (2023); Bel Ami, Los Angeles (2020); DM Office, Paris (2019); ODD ARK, Los Angeles (2018); and Wasserman Projects, Detroit (2014). Satlowski has participated in group exhibitions at the Columbus Museum of Art (2023); Blum and Poe, Los Angeles (2022); Asia Art Center, Taipei (2021); Petzel, New York (2021); California Polytechnic State University, San Luis Obispo (2019); and Château Shatto, Los Angeles (2019). Her work is in the collections of the Columbus Museum of Art; Institute of Contemporary Art, Miami; Los Angeles County Museum of Art; Mohn Art Collective (MAC3), Los Angeles; and X Museum, Beijing.

Marina Stern (b. 1928, Venice, Italy) was an artist based in New York City until her passing in 2017. Solo exhibitions include Bel Ami, Los Angeles & CW American Modernism, Los Angeles (2025 – 2026); Southern Alleghenies Museum of Art, Altoona (2007); Tremaine Gallery, The Hotchkiss School, Lakeville (2002 & 1987); Forum Gallery, New York (1993, 1991, 1989, 1987, 1985, 1982, & 1979); Staib Gallery, Kent (1992); The Silo Gallery, New Milford (1987); Michael Rosenfield Gallery, Chicago (1986); Jame Yu Gallery, New York (1974); Lee Ault & Company, New York (1973); Rigelhaupt Gallery, Boston (1968 & 1966); and Amel Gallery, New York (1966 & 1965). Stern has been featured in numerous group presentations, including Rêvez-vous de moutons électriques ?, Le Château – Centre d’Art Contemporain  et du Patrimoine d’Aubenas (2026 – 2027); Forum Gallery, New York (1994 & 1977); Oklahoma Art Center, Oklahoma City (1981); Kendrick Gallery, Washington, DC (1981); Arkansas Art Center, Little Rock (1980); University of Massachusetts, Amherst (1973); Finch College Museum, New York (1971); Bloomingdales, New York (1969); Rigelhaupt Gallery, Boston (1967); New York University, Contemporary Art Gallery, New York (1966); Worcester Art Museum (1965); Amel Gallery, New York (1964); Sakowitz Gallery, Houston (1964); Staten Island Museum, New York (1963); Osgood Gallery, New York (1962); and Waverly Gallery, New York (1962). Stern’s work is included in the collections of Chase Manhattan Bank, New York; Gibbes Museum of Art, Charleston; Hirshhorn Museum and Sculpture Garden, Washington, DC; Herbert F. Johnson Museum of Art, Cornell University, Ithaca; The Museum of Modern Art, New York; National Portrait Gallery, Smithsonian Institute, Washington, DC; and O’Brien Art Foundation, Pittsburgh.